What Was the Catch Phrase for Art During the Modernist Period

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Quotes tagged as "mod-fine art" Showing 1-30 of 38

"Modern paintings are like women, you'll never bask them if you endeavour to sympathise them."
― Freddie Mercury

"Skill without imagination is adroitness and gives united states of america many useful objects such every bit wickerwork picnic baskets. Imagination without skill gives us mod art."
― Tom Stoppard, Artist Descending a Staircase

"Jubal shrugged. "Abstract design is all right-for wall newspaper or linoleum. Only art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled mod artists are doing is a sort of unemotional pseudo-intellectual masturbation. . . whereas artistic art is more than similar intercourse, in which the creative person must seduce- render emotional-his audience, each fourth dimension. These ladies who won't deign to do that- and perhaps tin't- of class lost the public. If they hadn't lobbied for countless subsidies, they would have starved or been forced to go to work long ago. Because the ordinary bloke will not voluntarily pay for 'art' that leaves him unmoved- if he does pay for it, the money has to be conned out of him, past taxes or such."

"Yous know, Jubal, I've always wondered why i didn't give a hoot for paintings or statues- but I thought information technology was something missing in me, like colour blindness."

"Mmm, one does accept to learn to look at art, just every bit you must know French to read a story printed in French. Only in general terms it'south upward to the artist to use language that tin can be understood, not hibernate information technology in some private code similar Pepys and his diary. Nearly of these jokers don't fifty-fifty want to use language you and I know or tin can learn. . . they would rather sneer at the states and be smug, because we 'fail' to see what they are driving at. If indeed they are driving at anything- obscurity is unremarkably the refuge of incompetence. Ben, would y'all call me an artists?"

"Huh? Well, I've never idea almost it. You write a pretty good stick."

"Cheers. 'Artist' is a word I avoid for the same reasons I hate to exist chosen 'Doctor.' Only I am an artist, albeit a minor ane. Admittedly most of my stuff is fit to read only one time… and non even once for a busy person who already knows the trivial I have to say. Merely I am an honest artist, considering what I write is consciously intended to reach the customer… achieve him and affect him, if possible with compassion and terror… or, if non, at least to divert the tedium of his hours with a chuckle or an odd idea. But I am never trying to hide it from him in a individual language, nor am I seeking the praise of other writers for 'technique' or other balderdash. I desire the praise of the cash customer, given in cash considering I've reached him- or I don't want anything. Support for the arts- merde! A government-supported artist is an incompetent whore! Damn information technology, yous punched one of my buttons. Let me fill your glass and you tell me what is on your heed."
― Robert A. Heinlein, Stranger in a Strange Land

"Modern fine art has to be what is chosen 'intense.' it is non easy to define being intense; but, roughly speaking, it means saying simply one affair at a time, and saying information technology wrong."
― G.K. Chesterton, Alarms and Discursions

"When art is made new, we are made new with it. We have a sense of solidarity with our own time, and of psychic energies shared and redoubled, which is but about the most satisfying thing that life has to offering. 'If that is possible,' we say to ourselves, 'and so everything is possible'; a new phase in the history of human sensation has been opened upwards, simply as information technology opened up when people beginning read Dante, or showtime heard Bach'south 48 preludes and fugues, or commencement learned from Village and King Lear(/I> that the complexities and contradictions of human nature could exist spelled out on the phase.

This being so, information technology is a swell exasperation to come face to face with new art and not brand anything of it. Stared down by something that nosotros don't like, don't understand and tin't believe in, nosotros feel personally affronted, as if our identity every bit reasonably warning and responsive human beings had been chosen into question. We ought to be having a skillful time, and we aren't. More than that, an of import part of life is being withheld from united states of america; for if whatever ane matter is sure in this world it is that art is at that place to help the states live, and for no other reason.

"
― John Russell, The Pregnant of Modern Fine art: History equally Nightmare, Vol. 3

"Calcutta is similar a work of modern art that neither makes sense nor has utility, but exists for some esoteric aesthetic reason."
― Amit Chaudhuri, A Strange and Sublime Address

"Stop thinking near art works as objects and start thinking almost them as triggers for experiences. What makes a work of art good for you is not something that s already inside it but something that happens within you."
― Brian Eno

"Since it is sure of its ability to control the entire domain of the visible and the audible via the laws governing commercial circulation and autonomous communication, Empire no longer censures anything. All art, and all idea, is ruined when we take this permission to consume, to communicate and to bask. We should get the pitiless censors of ourselves."
― Alain Badiou

"The audience can endorse the triviality of modern art, but they tin can't similar it."
― David Mamet, On Directing Motion-picture show

"The deflation, or flattening out, of values in Mod fine art does not necessarily point an ethical nihilism. Quite the contrary; in opening our eyes to the rejected elements of existence, art may pb us to a more complete and less artificial celebration of the globe."
― William Barrett, Irrational Human being: A Study in Existential Philosophy

"Brod was a brilliant intellectual with exceptional energy; a generous man willing to do battle for others; his attachment to Kafka was warm and disinterested. The only problem was his artistic orientation: a man of ideas, he knew nothing of the passion for form; his novels (he wrote 20 of them) are sadly conventional; and above all: he understood nothing at all about mod art.
Why, despite all this, was Kafka so addicted of him? What about you-do you cease being addicted of your best friend because he has a coercion to write bad poesy?"
― Milan Kundera, Testaments Betrayed: An Essay in Nine Parts

"He was eager to tell me most his latest work, which consisted of him vomiting on a footpath, then cordoning it off. Each artwork lasted until the commencement 'philistine' thought to take the rope down.

'In that way, the philistine is drawn – whether he likes it or non – into my fine art. He becomes function of it…and the vomit part of him. Substantially, information technology is the cosmic vomit. We all spew it. It blurs the boundaries, subverts the liminal…"
― Paul Christensen, Reveries of the Dreamking

"A pair of stockings is no less suitable o make a painting of than wood,nails,turpentine,oil,and fabric."
― Robert Rauschenberg

"I have never been against new art as such; some of it is good, much is crap, most is somewhere in between."
― Robert Hughes

"I think a lot of modern art is complete bullshit. Only I admire the creativity. The weird shit people think of! Some of the most interesting things I've e'er seen in my life, I've seen in modernistic art museums. And that'southward what art is all about. It's supposed to brand you recollect."
― Oliver Markus Malloy, Bad Choices Make Good Stories - Finding Happiness in Los Angeles

"The autonomy of art that emerged through Post-Impressionism, Cubism, Mondrian, and the Russian Constructivism had seen painting develop independent of imitations or ornamentation, and and then the content of art became much closer to that of music."
― Neville Weston, The Reach of Modern Art: A Concise History

"También muchos desprecian el arte moderno encogiéndose de hombres, sin ver que es una de las claves para interpretar los tiempos en que vivimos. Porque muchas de estas obras, y en particular las más extravagantes, son señales de la crisis de nuestra cultura. Encubren nuevas formas de pensamiento. Proclaman la falta de sentido en todo lo que quizá consideramos sagrado. Algunas de estas obras podrían ser una bomba destinada a los bajos del sillón del sistema liberal de la cultura occidental en la que puede que estés aposentado. Ten cuidado. Este arte te obliga a escoger. Hace que adoptes una postura: tienes que quedarte con una cosa u otra."
― H.R. Rookmaaker, Arte Moderno y la Muerte de la Cultura

"Certainly, we can no longer look upon the canon of Western art - Greco-Roman as revived, extended, and graced by the Renaissance - equally -the- tradition in art, or even any longer as distinctly and uniquely -ours-. That canon is in fact just one tradition amidst many, and indeed in its strict adherence to representational form is rather the exception in the whole gallery of -human being- art. Such an extension of the resources of the by, for the modern artist, implies a different and more comprehensive understanding of the term "human" itself: a Sumerian figure of a fertility goddess is as "human" to usa equally a Greek Aphrodite. When the sensibility of an age tin conform the alien "inhuman" forms of archaic art next with the archetype "man" figures of Greece or the Renaissance, information technology should exist obvious that the attitude toward man that we call classical humanism - which is the intellectual expression of the spirit that informs the classical canon of Western art - has too gone by the boards."
― William Barrett, Irrational Man: A Study in Existential Philosophy

"Realism without naturalism... is a leading motif in Modern Art. At that place is a move away from the struggle to perfect the reflection of Nature in Art's mirror, which I attribute to the all-pervading effects of photography...Yous must serve the tradition without being its slave. Remember you are an artist, not a draughtsman."
― Tom Holt, Lucia Triumphant

"The Cubists are entitled to the serious attending of all who find enjoyment in the colored puzzle pictures of the Dominicus newspapers. Of class there is no reason for choosing the cube as a symbol, except that it is probably less fitted than any other mathematical expression for any but the most formal decorative art. In that location is no reason why people should non call themselves Cubists, or Octagonists, or Parallelopipedonists, or Knights of the Isosceles Triangle, or Brothers of the Cosine, if they so want; as expressing anything serious and permanent, one term is every bit fatuous equally some other."
― Theodore Roosevelt, An Art Exhibition

"Traditional art extended itself to the whole of life and left an imprint of dazzler upon the everyday existence of man beings rather than existence concerned but with paintings that we put in museums and at best visit a few Sundays each year."
― Seyyed Hossein Nasr, در جست‌وجوی امر قدسي

"Sanat, doğrudan bir kullanım değeri olmayan lüks maldır."
― Christian Saehrendt &Steen T Kitti

"She walked past an abstract painting that oozed wealth, the grotesquely just kind with the white line drawn on a black sail, every bit though saying: we're so powerful nosotros pay millions for the mundane."
― Kelly Siskind, The Vanquish Match

"In your earth of classical art pieces are revered for the artist'southward skill of execution - that is, how deftly he places the castor to canvas or the chisel to stone. In modern art, however, masterpieces are oftentimes more about the idea than the execution."
― Dan Brownish, Origin

"The existent reason that students and increasingly teachers of art history are gear up to jettison the past, yet, is that the refusal of the potency of the past is the very program of modern art. To invest in modernistic art existentially is to agree to carry out that program. The investment in modernistic art entails contempt for the by. The inverse is true too, although some would deny it. I would maintain that information technology is simply possible to say something insightful nigh contemporary art from a standpoint well inside the magic circle. The rest of u.s.a. on the outside, who do not alive but but wait at contemporary fine art, e'er misrecognize it."
― Christopher Due south. Wood, A History of Art History

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